JLA Year One #11

Stalag Earth


Storytellers: Mark Waid, Brian Augustyn, Barry Kitson
Inker: Michael Bair
Letterer: Ken Lopez
Colorist: Pat Garrahy
Separations: Heroic Age
Editor: Peter Tomasi
Cover Artist: Barry Kitson
Cover Date: November 1998

In a series of attacks, the Apellaxians start their invasion of Earth by neutralising numerous super-heroes. Superman is severely beaten, the Atom is captured whilst exiting a phone line, Blue Beetle is ambushed in a tomb. The Metal Mens' responsometers are disabled, whilst Batman is captured in the Batcave. Hawkman, Johnny Quick and Doctor Midnight are all ambushed. All the defeated heroes are brought to the disused Blackhawk Island.

In Metropolis, the newly-formed JLA attempt to hold their ground against the invaders. Aquaman quizzes Snapper Carr about his Uncle Simon's involvement in the invasion, but quickly discovers that although the JLA defeated 7 Apellaians when they first formed, they are now up against a force of 7000. Green Lantern realises that the battle has been raging for so long that his ring is about to run out of power. Martian Manhunter telepathically directs the Flash to Coast City to retrieve the power battery, and Lantern is able to recharge. Despite this minor victory, the JLA realises that Metropolis is lost, and moves on to help out the next city.


In Gotham City, the entity inhabiting Simon Carr's body moves on to a more powerful, electrical form. Carr is left alone and confused, clutching a device that can destroy the Apallaxian consciousness. He is accosted by Vandal Savage, formerly an Apallazian ally and now their target.


In Midway City, the JLA fight their ground again. The heat of the battle causes Black Canary to kiss the Flash. Realising that they need help, Flash has a brainwave - the JLA need to access Martian Manhunter's files on other superheroes to summon help. However, when they reach Jonn's hideout, they find that his files are gone. Aquaman receives a message from the fish, who inform him of the heroes trapped on Blackhawk Island. As the heroes realise that they have been outmaneuvred, a group of Apellaxians prepare to ambush them. They attack, and quickly subdue the JLA.


On Blackhawk Island, the trapped heroes are dismayed to see the JLA arrive in chains. Suddenly, the JLA break free and attack their captors - they were only pretending to be defeated to be brought to the heroes. Mounting an assault on the armory, the heroes re-arm themselves. Led by the JLA, they prepare to take back their planet.

In the first of what will be a fairly regular occurence for this blog, we jump in head-first into a limited series already in progress, with little knowledge of the events that have led us to this point. I read JLA: Year One for the first and only time in late 2002, when I found a pretty battered copy of the trade paperback in the library adjacent to my student accomodation. I remember several pages being loose, and being pretty convinced that I was missing a couple. I enjoyed the book, but knew at the time that I had too little an understanding of the DCU, and that a lot of the series was going over my head. One day, I vowed, I would return and conquer the knowledge held within.

And I never did, until now.

So, what do I know about this series? Well, I remember some stuff with the Doom Patrol, that isn't really relevant to this issue. There was some stuff involving Green Arrow and him not being on the team, which iosn't really relevant to this issue. They fought some aliens, which is relevant, but is handily recapped by Aquaman. In fact, the only major plot point for this issue that doesn't come with a handy jumping-on-board point is the duplicity of Simon Carr, and the nature of the being that has inhabited him. Is he/it an Apellaxian, or something more?

There's some really fun moments here. I love the teamwork shown in the defence of Metropolis, where Martian Manhunter and Flash team up to save Green Lantern's backside. The Black Canary snogging the Flash moment is good, but is taken to a whole new level when he completely ignores her and has a brainwave that could save the Earth from invasion. And I just love the complete Silver Age moment where the JLA pretend to be unconscious to be taken to the captive heroes before turning the tables. It's a moment that if handled poorly can look cheesy and silly, but here works as a great moment of assertion for the League in front of their peers. It's no wonder that veterans of the JSA, the Doom Patrol, and the newer, more powerful heroes like Superman are ready to follow the Flash's lead at the end of the issue.

Unfortunately, from a Superman point of view there's not much to say - he gets beaten up at the start of the issue, and is ready to fight back at the end. This version of him meeting the JLA differs from the Man of Steel Annual in that this version of the JLA is less dependant on him to save the day, most likely as Superman here is a guest star in their book, rather than the League being a star in his book.

Oh, and I just love this cover. Seeing Batman, Superman, and the heavy hitters of the JSA all so helpless is very striking. And I love the defeatist pose of the first Green Lantern.

Next on World of Superman: The JLA vs the Apellaxians for the freedom of the Earth!

Superman: The Man of Steel Annual #4

Hero


Story: Louise Simonson
Penciller: John Paul Leon
Inker: Dennis Janke
Letterer: Todd Klein
Colorist: Glenn Whitmore
Assistant Editor: Chris Duffy
Editor: Mike Carlin
Cover Artist: Walt Simonson
Cover Date: Annual 1995


The Knight

Superman races to the rescue after a Quraci terrorist organisation attempts to derail the elevated subway. He stops the train before it crashes through a section of demolished track, then heads inside to deal with the hijackers. He brings the gunmen to the police for arrest, and is swarmed with adoring and grateful fans. A comment made by one of them makes him think back to the day Pa Kent showed him the ship he arrived in. Later that day, in the Daily Planet newsroom, news of Batman's appearance in Gotham City breaks. Clark rushes out.


In Gotham, Superman grabs hold of Batman's line, and just as in Man of Steel #3, gets involved with Magpie's reign of terror. Once Magpie has been apprehended, Superman talks with Batman. Realising that the law is effectively powerless in Gotham, Superman agrees not to hand Batman over to the authorities. As he leaves, he discovers that Batman has no super-powers, but is a self-made man.

The Ring

The next day, Clark is relating his encounter with Batman to Ma, while the TV hosts an interview with the latest hero, Black Canary. Suddenly, the interview is cut short for a newsflash reporting that a LexCorp satellite has broken its orbit and is crashing towards Coast City. Superman rushes to assist, but is beaten to it by another hero wielding a green ring. The hero almost catches the satellite, but it breaks free. Superman is able to bring it under control and allow the hero to snare it. The hero introduces himself as Green Lantern, and he explains how he gained posession of the ring. When Lantern asks Superman about his origins, Superman is unable to answer. Green Lantern's ring identifies Superman as the last survivor of Krypton, but Lantern realises that Superman doesn't know this, and witholds the information. The two shake hands as friends.

The Speed

Returning to Metropolis, Clark files the Green Lantern story, to the ire of Lois Lane. He then returns home for dinner with his parents. While there, Pa tells him of a freak snowstorm in a neighbouring country. Superman heads off to investigate and finds the Weather Wizard causing havoc. Weather Wizard stuns Superman with a lightning bolt, but while he is recovering, Superman sees a red blur heading into the fight. The blur runs in a circle, causing a tornado to form that dissipates the Weather Wizard's weather, and topples him from his perch. The blur introduces himself as The Flash, and tells of his origin. Their meeting is interrupted by both Lois Lane and Iris West, who have been investigating the Weather Wizard. Superman discovers that the Wizard had intended to scare people away from the town so that he could rob the bank. He is disgusted that millions of dollars of property damage could have been caused to rob thirty thousand dollars.

The Tide

A little later, Superman investigates a suddenly-formed hurricane, expecting to find the Weather Wizard behind it. He is surprised to find an orange-shirted man trapped beneath a tree, recognising him as Aquaman. Aquaman explains that Poseidon is attacking him. Superman is sceptical of Aquaman's talk of gods, and attempts to dispell the hurricane. He is surprised when the weather takes the form of a face and attacks him directly, knocking him unconscious and sending him plummeting into the ocean. Aquaman recovers Superman, saving him from a mystical whirlpool. With Superman recovered, he and Aquaman lead the hurricane to a desert, where the lack of water forces Poseidon to withdraw. Aquaman suggests that the ocean is now angry at Superman, a claim Superman rejects, even after he has been splashed in the face.

The Alien

Returning to Metropolis, Clark wonders how he can file the Aquaman story and get ahead of Lois without drawing undue attention to his scoops. His thoughts are interrupted by a blaze in Denver, and he leaves to assist. The burning building is about to collapse. Superman helps hold it together, but is surprised to meet a green-skinned hero, who heads inside to save more civilians. Through the smoke and the flames, Superman sees the hero finish the rescue, but get caught in an explosion. In order to get away, the hero changes his shape. After the emergency, Superman tracks down the hero, who introduces himself as a Martian called J'onn J'onnz. J'onn tells of how he arrived on Earth by teleporter, not rocket. Superman tells him that reporters most likely saw his transformation, and that he won't be able to live in secret for long. After Superman has left, J'onn thinks about how the two of them were able to save the last trapped civilians, and wonders what could happen if more heroes worked together.


The League

A few days later, Clark hears that most of the public super-heroes have formed a Justice League, but that their first meeting has erupted into violence, with the heroes attacking each other. Superman arrives, to see the League fighting indiscriminately, with no tactics, just fighting. He notices a nearby robot, emitting a beam, and decides that the robot is causing teh violent behaviour. Superman attacks the robot, freeing the league, and discovers that is was being piloted by a small gnome-like being who vanishes. The gnome was Xotar, a being from the future who has managed to teleport himself into the hands of his era's police. Superman officially meets the League, and is invited to join. However, he turns down membership, instead offering to provide support when needed. Clark returns to the Planet, only to find that thanks to some contacts on the scene, Lois has managed to scoop him this time.

The Origin

Seven years later. Clark is at home for Ma's birthday when he is approached by a phantom of Jor-El. The phantom reveals Kal-El's Kryptonian origins, placing Clark in some sort of trance. Pa breaks the trance by whacking the phantom with a shovel, dissipating it. Superman then examines what he now knows of his origin, before deciding that although Krypton gave him his powers, it is his family that has made him a man.

This annual can pretty much be summed up as 'How I Met The Justice League' with a bit of origin-angst thrown in to tie all the meetings together. It's a bit like a cheap buffet - there's plenty of food, but none of it is overly satisfying. The vignettes are all good, but each one feels like it should be a bigger moment standing on its own, rather than 5-7 pages contained within one tale. This feeling stems from the fact that the annual uses Man of Steel #3 as its launching point. The Batman strand feels very much like a summary, rather than a retelling, with corners cut to make it fit into the space, and this feeling permeates the other meetings. What really gives this issue a sense of being rushed is that the needs of the story have Superman meeting the members of the JLA all within a few days of each other. Now, accepted DCU history has the modern age heroes appearing in the wake of Superman's appearance, but having them all occur within a week or so stretches credibility a little.

Out of all the meetings, I think my favourite is the Aquaman one. Not only does it echo the 'out of his depth' elements from both the Action Comics and Superman annuals, but it ends more ambiguously than with a handshake and a promise of friendship. Superman gets it wrong in dealing with Poseidon, by not following Aquaman's instructions, and is shaken by the discussion of Gods actually existing. There's a nice moment where Aquaman teases Superman by claiming that the ocean is angry with him, before splashing him with water, deflating Superman's dismissive attitude towards the Poseidon encounter. The ones I least enjoyed were the Batman retelling, and the first team-up with the JLA, both of which recap previously-told stories without bringing anything new to the table.

What does work, and resonates strongly with this period in Superman's life, is the ongoing thread of Superman's lack of knowledge of where he comes from. This element was downplayed until the last issue of Man of Steel, so to make it into more of a driving force for Superman during his early years helps to retroactively set up the resolution to the mini-series. Each of the heroes serves to pique Superman's interest, and each lets him down in their own way, wether by being a self-made hero, gaining powers by accident, or a gift from an alien, or simply by being an alien but stranded on Earth through very different means. Between this and the constant game of one-upmanship with Lois Lane (brilliantly interrupted by Iris West in the Flash story), this story is firmly placed in the early months of Superman's career. This story wouldn't work as well if it had occured post Man of Steel, or even more than a few months after Superman's first appearance, once his presence is accepted as the norm as opposed to something unusual and unique.

John Paul Leon's artwork is not a great fit here for Superman. One of the key elements of his art that I loved in Earth X was his use of shadow to complement what at times was some pretty minimalistic art. In a series that uncovered the secret history of the Marvel universe (only to be retconned as an alternate universe), the high darkness content in the art was well suited. Here, in a story that introduces the some of the key Silver Age heroes to the modern Superman, his use of shadow feels almost inappropriate. The first appearnace of Hal Jordan's ring contructs should be as alien and unusual as anything seen by Superman, but are rendered here as disappointingly pedestrian. Having said that, I do like his Lois Lane - he captures a keen intelligence and focus in her eyes.

The Geeky Bits: This is the second first meeting for Superman and the Martian Manhunter, following Martian Manhunter #20. Funny how J'onn doesn't feel compelled to mention that he has known Superman for most of his life... although in keeping with an issue not written for another five years he does keep Superman's origin to himself.

Magpie seems to have lost her henchmen who look suspiciously like Mike Carlin and Mark Gruenwald. She also uses her 'Happy Birthday' stick of dynamite in place of the corrosive gas  to cause a distraction, and has her secondary base in the same museum as her first.

As has been pointed out several times so far, the Batman segment is a retelling of Man of Steel #3. The Justice League segment is a retelling of The Brave And The Bold #29, although in keeping the with post-Crisis Justice league history, Wonder Woman has been replaced with Black Canary.

Next on World of Superman: Superman and Batman's rivalry has fatal consequences.

Action Comics Annual #7

And we're back, after an absolutely nightmare-ish week-and-a-half at work that left me in a state where I could only work, eat and sleep. But all is now well, and I'm back to take a look at Superman's first venture into space.

Year One: Loss And Space


Writer: David Michelinie
Penciller: Darick Robertson
Inker: Brad Vancata
Letterer: Bill Oakley
Colorist: Pat Garrahy
Assistant Editor: Chris Duffy
Editor: Mike Carlin
Cover: Walt Simonson
Cover Date: Annual 1995

A group of radiation-suited terrorists find that their hijacking of a cargo lorry in Illinois doesn't go to plan when Superman drops in. Heating up the asphalt, Superman waits for the hijackers to sink in before chilling it solid with his freeze breath. He flies off, continuing his journey back to Smallville. Over dinner with his parents, Clark addresses his father's fears that he is pushing too far and placing himself in danger. Clark is not concerned; he is riding on a high of using his powers and as far as he is concerned, he has no limits. Suddenly, the conversation is interrupted when a mental pulse deafens Clark. He quickly discerns that it is coming from the moon. A thought strikes him - if he takes a deep enough breath and pushes hard enough, he could break free of the Earth's gravity and head into space.


Changing to his costume, Superman puts his plan into action. The plan works, and Superman finds himself in orbit. Forcing himself not to be overawed by the sight of Earth from space, Superman makes his way to the moon. Near the site of the Apollo 11 landing, Superman finds an alien craft that is emitting the signal. As he approaches, a hatch opens. inside, Superman meets the pilot, a dying alien, who warns him of the H'tros, a swarm of plundering mechanical aliens who target a world and pick it clean. The alien's planet, a pacifist world, has been targeted, but transmissions from Earth speaking of Superman gave them hope. The alien had been sent to enlist Superman's help. As the alien dies, he gives Superman a choice - press a button to be transported to their homeworld to help, or to return to Earth and let his people perish. Superman chooses to help, and pushes the button.


Transported across the galaxy, Superman finds himself setting foot on an alien planet for the first time. The aliens greet him, but bow their heads in front of him. Superman realises that as a man of action and violence, his presence is resented by the pacifist people. Briefed on the H'tros, Superman heads into space to avert the invasion. It doesn't take long for the H'tros to react to his organic nature, and Superman soon finds himself the target of the fleet. The H'tros detonate a grenade, forming a miniature black hole to trap Superman, but Superman is able to plug the black hole with one of the Htros ships. Superman is then nearly caught with a bluff to draw him away from the approaching mothership, but at the last minute he realises the plan and is able to escaape the trap and focus on the mothership. Bursting in, he battle H'tros guards that seem intent on keeping him away from a certain area. Battling his way through, he discovers the primary power core, and detonates it, destroying the ship and routing the invasion.


Recovering in space, panic overtakes Superman when he realises that he has lost his bearings and he cannot find the alien planet. He picks a direction and is about to head off in it when he realises that if he is wrong, heading off will only make him more lost. With his oxygen running out, Superman applies science to retrace his steps to the centre of the explosion that stranded him. From there he is just about able to identify the planet, and in a desperate race against his approaching unconsciousness, he hurtles towards breathable atmosphere. Back on the planet, the aliens are both grateful and mournful for the loss of the H'tros. They despatch Superman back to Earth.


A few days later, Clark Kent is working in the Daily Planet newsroom when a report comes in from NASA of approaching alien ships. The manner of their approach tips Clark off that it is the H'tros, who have somehow survived. On the roof of the Planet, Clark face down the fear of getting stranded in space again and, armed with a larger oxygen supply, heads off to face down the H'tros again.


Repeating his tactic from before, Superman is surprised at the lack of resistance on the mothership. He soon realises why - the power core has been encased in a force-field that he cannot penetrate. The H'tros attack him, and Superman realises that their tactics work to prevent him from getting to another ship. He fights his way into the new ship, and the sound of metal breaking under his assault makes him realise that there is atmosphere present, an unusual occurence for a ship populated by robots. Venturing onward, he discovers the organic creator of the H'tros, who has been commanding their attacks. Reasoning that the H'tros are programmed to follow their creator, Superman hurls the ship into the sun. The H'tros follow, and are burned up. Superman returns to the alien, who he had evacuated from the ship, only to find that he has comitted suicide.


Back in Smallville, Clark confides in his father that his adventures in space have helped him realise his limits.

There's a lot to like about this annual, and I'll get to these things in a second. But first, I have to deal with the elephant in the room, namely the lameness of the H'tros, their plans, and the aliens who get Superman involved in the whole affair. First of all, the aliens, who rate so lowly in the story that Michelinie never bothers to give them a name, are almost completely forgettable, save for the moments where their pacifist nature causes them to regard Superman with disdain. Their world is a one-gimmick world - they are pacifists - and we have no real sense of what it is that Superman is fighting for, other than the fact that he has been asked to fight. As for the H'tros... they attack anything organic on sight , and their whole reason for doing so is that once upon a time their creator wanted to end a centuries-long war. Hold on... organic creator creates an unstoppable race of robotic beings as the result of a centuries-long war that he commands in secret while they annhialate the galaxy... sound familiar?

To be honest, the H'tros aren't as bad as they sound, but Michelinie struggles to give both the H'tros and the nameless pacifist aliens (can't I just call them Neutrals?) a true sense of depth in the 48 pages of this annual. There's a lot to fit in, and a few sacrifices have to be made, including the final revelation that Superman saved the H'trosi creator before sending his ship into the sun - the reveal reads about as smoothly as I covered it in the recap.

So, that's enough of the not-so-good. What works well here? There is a real sense that Superman is out of his depth at several points in the issue. We get to see Superman adapting his use of powers on the fly in a new environment. Things that might be taken for granted in future episodes, such as divining the presence of an atmosphere because of the noise of metal melting under Superman's heat vision, are laid out logically for the reader. And, of course, the real highlight of the issue is the very tangible sense of panic Superman feels after destroying the H'tros mothership, when he realises that he has got lost and very well may die in space. The artwork really sells the idea that Superman is struggling not only for survival but to keep his head in difficult circumstances.

The bookends with the Kents are a lovely touchstone. Between Man of Steel #1 and #6, we see very little of Clark's parents, and catching up with their thoughts, feelings, and concerns for their son during his formative years as Superman is an important thing for us to do. The final scene ties in nicely with the end of Man of Steel #6, as Pa Kent references the fact that Clark's upbringing is as important to Superman as his superpowers.

Finally, on a personal note, re-reading this annual for the blog confirmed just how important writing these reviews are for me. When I first read this annual, a few years back, I wasn't interested in the space story, and because I had bookmarked this issue in my head as 'Superman in space', I had a pretty negative view of the annual as a whole. Going back through this issue several times over the past week (work allowing) has completely changed my view of the book. Although the space story still isn't a particularly strong one (in my opinion), it's the character moments and progression that really make this annual stand out for me. I'm glad I reread it and gave it a second shot, as it's now turned into one of my favourite stories from this time in Superman's life.

Superman Annual #7

Year One: Strange Visitor


Writer: Roger Stern
Penciller: Chris Gossett
Inkers: James Dean Pascoe & Stan Woch
Colorist: Tom Ziuko
Letterer: Albert de Guzman
Assistant Editor: Chris Duffy
Editor Supreme: Mike Carlin
Cover: Walt Simonson
Cover Date: Annual 1995

As the planet Krypton enters its death throes, it is observed by a group called the The Seven. They see the birthing matrix escape, and deduce that it will reach Earth, although they are forced to stop monitoring when the matrix enters hyperspace and passes from their view.


Forty years later, and the sight of Superman in Metropolis is still an unexpected event. Superman apprehends several members of a drug ring, overheating their guns and causing a blowout with his heat vision. As he flies away, he is unaware of Doctor Occult attempting to get his attention. Superman returns to the Daily Planet and changes to Clark Kent. Inside the newsroom, Lois is still giving him the cold shoulder, having not forgiven him for his scooping her story, even though it was over four months ago. As Clark ponders their relationship, he hears an event in the distance, and races off. As he heads into the stairwell to change, he passes Doctor Occult, coming out of the elevator. Again, he is unaware of the man trying to track him down.

 Just love this panel, completely sums up Clark and Lois' relationship for the next few years!

Superman sees a penthouse on fire. He enters, to find a scantily clad lady needing rescue. As he gather her in his arms, he moves in for a kiss. Suddenly, Doctor Occult appears, commanding him to stop. Superman is confused, especially when the flames melt away to nothingness. Doctor Occult brandishes the Symbol of Seven, forcing the lady to revert to her true form as a tentacled demon. The demon attempts to devour Superman, constructing a barrier to prevent Doctor Occult from assisting. Despite getting a major beating from the demon's magical attacks, Superman is able to blast it with his heat vision, melting the demon. He collapses in Doctor Occult's arms.


Superman comes round in Doctor Occult's office, and the Doctor explains who he is, and that he is aware of Superman's identity. Doctor Occult is a long-lived magical defender. Back in WWII, his partner, Rose Psychic, was kidnapped by the Cult of Thahn. Using her powers, Rose directed Occult to her location, and the two attempted to disrupt the summoning of Thahn. Although the demon never fully materialised on Earth, it was able to fatally wound Rose. Despite assistance from The Seven, Occult knew that he would never hold his partner again. Doctor Occult needs Superman's help against Thahn; The Seven believe that Superman is the key to his defeat, and that his arrival on Earth has forced Thahn to speed up his plans.


Suddenly, Occult's office comes under attack from a rock demon, a pawn of Thahn. Occult telepathically directs Superman as to the demon's weakness, and Superman shatters it with one blow. With the office destroyed, Superman and Occult are cast adrift in a mystic dimension with no up or down. They come under attack from more demons, but Occult is able to create a doorway back to Metropolis, and Superman escapes through it.


In Metropolis, Superman is greeted by Rose Psychic, who leads him to the site of Thahn's last summonning. Again, they come under attack, but Superman quickly realises that these demons are actually corrupted humans, missing homeless people from the area. Superman is overpowered, and is taken to be the sacrifice that will summon Thahn. Rose is captured, but suddenly is replaced by Doctor Occult, confusing the demons. Occult dispatches the demons, and encourages Superman to fight against Thahn's magic. Superman is able to break free, and, by forcing Thahn's magic against the demon, is able to banish Thahn for good. The demons return to human form.

Superman doesn't break. Wow.

Superman demands answers to his questions, including what happened to Rose, and how Occult knew his name. Occult instead fades away, leaving Superman none the wiser. Superman instead helps the ex-demons until the paramedics arrive. Reporting to The Seven, Doctor Occult tells them that Superman is still young, but that he has learned a valubale lesson, that there are forces far beyond his control and comprehension in the world.

So, it's time to lay my cards on the table. I am not a fan of magic in the Superman comics. I understand its function as a force that Superman has no resistance to. I enjoy certain magic wielders, such as the Phantom Stranger, and especially Zatanna. But if you gave me a choice of villains, one magic-based and one non-magic based, then the magic gets shown the door every time.

A big part of it is that Superman's weakness to magic is so complete and total that he ceases to be anything special when confronted by magic. He is brought down to a very human level, and often has to rely on someone else's powers of expertise to save the day. The exception to this is when Mr Mxyptlk appears, as this normally leads to a story where Superman has outhink, outwit, or play by a different set of logic to win the day. Mxy might be one of the most prolific magic-spammers Superman has ever faced, but Mxy plays by his own set of rules, and it's up to Superman to defeat him within those rules.

So, we come to this annual. And unfortunately, this annual is the type of magic story that just doesn't do it for me in the DCU. It features a magic user who at best could be described as D-list, Doctor Occult. The magic user has a loosely defined set of powers, and not one, but two silly gimmicks - the Symbol of Seven, a 'magic multi-faceted disc' that looks like one of those hypno-discs you would see advertised in the 1960s, a circle of cardboard with swhirls all over it, and the weird body-swap thing with Rose Psychic. Having said that, it is appropriate that Superman's first encounter with magic should be in the company of Doctor Occult, who was created by Siegel and Shuster three years before they would create Superman. As Superman is the first DC super-hero, Occult is the first DC magic hero, and is also the oldest (in terms of character creation) character used by DC in their current continuity.

The 'offending' Symbol of Seven.

As for Superman, he doesn't know what hell is going on, how to fight it, and has to have everything explained to him. Oh, and despite his well-known vulnerability to magic, he can somehow resist huge demonic mystical forces with only a little encouragement from a guy he doesn't really like to break free from Thahn.

Ok.

There are some nice Year One touches in here. As is commented on at the end, Superman is very young, only four months into his career, and certainly impetuous. There's a moment at the start of the issue where he chides himself for showing off and missing a bullet that could have killed a bystander. Superman's reaction to several occasions where Doctor Occult either tells him to do something or refuses to explain something is one of anger, fuelled by his lack of comprehension of events. You get the feeling that once he gets back to his apartment after ensuring the homeless people are OK, he is going to sit down with a large hot drink and think things over a lot.

There's nothing special about this annual. It looks good, reads well, but ultimately it doesn't provide very much insight into the early days of Superman. After the great interweaving of The Man of Steel #2 and more current Superman elements in the Adventures annual, this feels like a let-down.

Next of World of Superman: Superman in space for the very first time.

The Adventures of Superman Annual #7

Year One: Truth And Justice


Writer: Karl Kesel
Penciller: Ron Wagner
Inker: Josef Rubinstein
Colorist: Linda Medley
Letterer: Albert de Guzman
Assistant (Editor): Chris Duffy
Top Cop (Editor): Mike Carlin
Cover: Walt Simonson
Cover Date: Annual 1995
Release Date: 11/07/1995


New Gods and Kalibak created by Jack Kirby
Much owed to the work of John Byrne

Superman takes down the hostage takes from The Man of Steel #2. As he leaves the bank to tell the SWAT team that the danger is over, Captain Reagan, the SWAT commander, berates him for putting himself in a position where he could have been killed. Superman listens patiently, and tells Reagan that he wants to be an aid to the police. Reagan is about to give him another mouthful when Superman hears a gunfight across town and flies away. Lois Lane runs up, but is told by Reagan that she just missed Superman.


Lois continues to miss Superman, whose exploits provide headlines for all of Metropolis' papers. A few days later, Reagan and Dan Turpin argue about Superman. Their argument is interrupted by Star City Police Officer Maggie Sawyer, in town on a holiday, and eager to learn more about Superman. Reagan introduces himself as a friend of her husband, James Sawyer, but is given the cold shoulder. They discuss Superman, with Reagan taking a reactionary view, which is brushed off by Sawyer and Turpin.


Superman introduces himself to Inspector Henderson at a murder scene, where a mob informant and his police guard were gunned down. Superman uses his powers to provide an initial forensic examination of the crime scene. Seeing blood that doesn't match the victims, he tells Henderson that the shooter is wounded, then takes off, following a lead. The shooter has stolen a taxi, which is careering down the street. Superman appears in the back seat, but the shooter refuses to give up, dropping a primed grenade and bailing from the cab. Superman rises unharmed from the flaming wreckage, and intimidates the shooter into giving up. As the shooter is led away, Toby Raines, a reporter from the Daily Star, tries to corner him for an interview. Despite mistaking her for Lois, Superman refuses an interview. Henderson confides in Superman; with Superman eradicating standard crime, the police are concerned about what will come next.


Ugly Manheim, Boss Moxie's son, makes a power play for control of Intergang. To provide a show of force, he opens a boom tube, and Kalibak appears at the crime conference. The crime lords open fire, but Kalibak shrugs off the bullets and starts attacking, stopping only when Manheim reminds him of their deal. With Kalibak as a force to take on Superman, Manheim takes control of the syndicate.


The next day, Clark Kent books an appointment with Perry White for two days time. As he hangs up the phone, the lobby of his hotel is invaded by Intergang, who attempt to rob the entire hotel. Clark uses his heat vision to trigger the fire alarms, but in the chaos, Maggie Sawyer is taken hostage. The police gather outside, but Apokoliptian weaponry keeps them pinned down. Turpin and Reagan attempt a rooftop assault, but this falls apart when Kalibak ambushes them, knocking Reagan out. Thinking that the noise is Superman arriving causes Intergang to gloat, affording Clark an opportunity to slip away and get into costume. Superman goes for Manheim, but the alien weapons force him back. Intergang threatens the hostages, but Maggie manages to get hold of one of the weapons, and a standoff develops. Manheim attacks Superman with a weapon that bathes him in the fires of Apokolips. Superman is forced to fly for help, getting a fire truck to put him out, allowing Intergang the opportunity to escape.


On the roof, Kalibak knocks Regan out, and attacks Turpin. Turpin is able to get his hands on one of the alien weapons, and unloads it into Kalibak. Enraged by the attack, Kalibak lunges forward. Turpin pulls the pin from a grenade and shoves it down Kalibak's throat. The explosion causes Kalibak to fall from the roof. Down below, Superman has recovered and manages to round up Intergang, disarming them in seconds. Manheim lunges at the prone form of Kalibak, opening a Boom Tube. In the aftermath, Turpin is taken to hospital, and Toby Raines offers to interview Maggie Sawyer about the the events. Lois Lane arrives, having once again missed Superman.


Two days later, as Superman patrols the city, wondering if Intergang's defeat has sent a message to the underworld, he notices a car in the water. He rescues the car and its driver, Lois Lane, and agrees to an interview. When Lois goes to file her exclusive, she finds that she has been scooped by the Daily Planet's newest reporter, Clark Kent.


Reagan and Henderson visit the recuperating Turpin. As they discuss Kent's article, Superman arrives to settle things with the police. Henderson officially welcomes him to Metropolis. Reagan is not happy and leaves. Superman gives Turpin his best wishes and also leaves. Henderson asks Turpin to head up a newly formed Special Crimes Unit. Turpin declines, but nominates Maggie Swayer for the position.

The first of the 1995 Year One annuals that we have come to is also the strongest. Kesel writes with a respect and reverence for The Man of Steel #2, whilst working backwards to incorporate familiar elements of the then-current Metropolis into Byrne's story. There are times when reading this issue is like experiencing the Byrne plot from a different camera angle, and the subtle shifts in emphasis work well. The opening re-telling of the Superman/bank robber encounter works well here, with Superman's powers coming across more forcefully, here setting the machine guns on fire rather than just heating them up. The pages I've used to illustrate this post are another great example of how the annual builds on what came before, here adding headlines to heighten Lois' frustration at not getting the Superman scoop.

This is very much a 'how the gang got together' kind of tale, bringing together the elements of the Metropolis SCU that would function as part of  Superman's supporting cast until the early 2000, namely Dan 'Terrible' Turpin, Maggie Sawyer, and Inspector Henderson. All throughout the issue, the characters drift towards their modern status, with the formation of the SCU looming at the issue's end, and the first meeting for future lovers Maggie Sawyer and Toby Raines.

Wagner provides pencils that invoke the stronger side of Jon Bogdanovich (check out the opening page of the annual). He creates a look for the comic that remains respectful to the 1980s fashions, of which Lois was a follower/victim, depending on your preference, whilst feeling very much modern (well, at least for 1995).

Perhaps the only bit of the issue that feels wrong is the Intergang/Apokolips plotline. Although it's nicely handled (just love Superman's confusion at his first encounter with a boom tube), having Dan Turpin go up against the son of Darkseid and come out on top just stretches credulity a little too much. Admittedly there isn't a rogue's gallery for Superman at this point in his history, but going from goons with guns to the son of the most evil entity in the universe is a tremendous step, even for Superman. That said, it certainly does fit in with Henderson's fears of escalation, a neat moment that is echoed by Commissioner Gordon at the end of Batman Begins.

The Geeky Bits:

Estimated Diamond Pre-Orders: 74,470
Diamond Sales Chart Position: 32
Best-Selling Comic Of The Month: Spawn #34

Next of World of Superman: It's Superman vs big nasty magic things for the first time ever!