Showing posts with label Todd Klein. Show all posts
Showing posts with label Todd Klein. Show all posts

Tuesday, 11 May 2010

Superman: The Man of Steel Annual #4

Hero


Story: Louise Simonson
Penciller: John Paul Leon
Inker: Dennis Janke
Letterer: Todd Klein
Colorist: Glenn Whitmore
Assistant Editor: Chris Duffy
Editor: Mike Carlin
Cover Artist: Walt Simonson
Cover Date: Annual 1995


The Knight

Superman races to the rescue after a Quraci terrorist organisation attempts to derail the elevated subway. He stops the train before it crashes through a section of demolished track, then heads inside to deal with the hijackers. He brings the gunmen to the police for arrest, and is swarmed with adoring and grateful fans. A comment made by one of them makes him think back to the day Pa Kent showed him the ship he arrived in. Later that day, in the Daily Planet newsroom, news of Batman's appearance in Gotham City breaks. Clark rushes out.


In Gotham, Superman grabs hold of Batman's line, and just as in Man of Steel #3, gets involved with Magpie's reign of terror. Once Magpie has been apprehended, Superman talks with Batman. Realising that the law is effectively powerless in Gotham, Superman agrees not to hand Batman over to the authorities. As he leaves, he discovers that Batman has no super-powers, but is a self-made man.

The Ring

The next day, Clark is relating his encounter with Batman to Ma, while the TV hosts an interview with the latest hero, Black Canary. Suddenly, the interview is cut short for a newsflash reporting that a LexCorp satellite has broken its orbit and is crashing towards Coast City. Superman rushes to assist, but is beaten to it by another hero wielding a green ring. The hero almost catches the satellite, but it breaks free. Superman is able to bring it under control and allow the hero to snare it. The hero introduces himself as Green Lantern, and he explains how he gained posession of the ring. When Lantern asks Superman about his origins, Superman is unable to answer. Green Lantern's ring identifies Superman as the last survivor of Krypton, but Lantern realises that Superman doesn't know this, and witholds the information. The two shake hands as friends.

The Speed

Returning to Metropolis, Clark files the Green Lantern story, to the ire of Lois Lane. He then returns home for dinner with his parents. While there, Pa tells him of a freak snowstorm in a neighbouring country. Superman heads off to investigate and finds the Weather Wizard causing havoc. Weather Wizard stuns Superman with a lightning bolt, but while he is recovering, Superman sees a red blur heading into the fight. The blur runs in a circle, causing a tornado to form that dissipates the Weather Wizard's weather, and topples him from his perch. The blur introduces himself as The Flash, and tells of his origin. Their meeting is interrupted by both Lois Lane and Iris West, who have been investigating the Weather Wizard. Superman discovers that the Wizard had intended to scare people away from the town so that he could rob the bank. He is disgusted that millions of dollars of property damage could have been caused to rob thirty thousand dollars.

The Tide

A little later, Superman investigates a suddenly-formed hurricane, expecting to find the Weather Wizard behind it. He is surprised to find an orange-shirted man trapped beneath a tree, recognising him as Aquaman. Aquaman explains that Poseidon is attacking him. Superman is sceptical of Aquaman's talk of gods, and attempts to dispell the hurricane. He is surprised when the weather takes the form of a face and attacks him directly, knocking him unconscious and sending him plummeting into the ocean. Aquaman recovers Superman, saving him from a mystical whirlpool. With Superman recovered, he and Aquaman lead the hurricane to a desert, where the lack of water forces Poseidon to withdraw. Aquaman suggests that the ocean is now angry at Superman, a claim Superman rejects, even after he has been splashed in the face.

The Alien

Returning to Metropolis, Clark wonders how he can file the Aquaman story and get ahead of Lois without drawing undue attention to his scoops. His thoughts are interrupted by a blaze in Denver, and he leaves to assist. The burning building is about to collapse. Superman helps hold it together, but is surprised to meet a green-skinned hero, who heads inside to save more civilians. Through the smoke and the flames, Superman sees the hero finish the rescue, but get caught in an explosion. In order to get away, the hero changes his shape. After the emergency, Superman tracks down the hero, who introduces himself as a Martian called J'onn J'onnz. J'onn tells of how he arrived on Earth by teleporter, not rocket. Superman tells him that reporters most likely saw his transformation, and that he won't be able to live in secret for long. After Superman has left, J'onn thinks about how the two of them were able to save the last trapped civilians, and wonders what could happen if more heroes worked together.


The League

A few days later, Clark hears that most of the public super-heroes have formed a Justice League, but that their first meeting has erupted into violence, with the heroes attacking each other. Superman arrives, to see the League fighting indiscriminately, with no tactics, just fighting. He notices a nearby robot, emitting a beam, and decides that the robot is causing teh violent behaviour. Superman attacks the robot, freeing the league, and discovers that is was being piloted by a small gnome-like being who vanishes. The gnome was Xotar, a being from the future who has managed to teleport himself into the hands of his era's police. Superman officially meets the League, and is invited to join. However, he turns down membership, instead offering to provide support when needed. Clark returns to the Planet, only to find that thanks to some contacts on the scene, Lois has managed to scoop him this time.

The Origin

Seven years later. Clark is at home for Ma's birthday when he is approached by a phantom of Jor-El. The phantom reveals Kal-El's Kryptonian origins, placing Clark in some sort of trance. Pa breaks the trance by whacking the phantom with a shovel, dissipating it. Superman then examines what he now knows of his origin, before deciding that although Krypton gave him his powers, it is his family that has made him a man.

This annual can pretty much be summed up as 'How I Met The Justice League' with a bit of origin-angst thrown in to tie all the meetings together. It's a bit like a cheap buffet - there's plenty of food, but none of it is overly satisfying. The vignettes are all good, but each one feels like it should be a bigger moment standing on its own, rather than 5-7 pages contained within one tale. This feeling stems from the fact that the annual uses Man of Steel #3 as its launching point. The Batman strand feels very much like a summary, rather than a retelling, with corners cut to make it fit into the space, and this feeling permeates the other meetings. What really gives this issue a sense of being rushed is that the needs of the story have Superman meeting the members of the JLA all within a few days of each other. Now, accepted DCU history has the modern age heroes appearing in the wake of Superman's appearance, but having them all occur within a week or so stretches credibility a little.

Out of all the meetings, I think my favourite is the Aquaman one. Not only does it echo the 'out of his depth' elements from both the Action Comics and Superman annuals, but it ends more ambiguously than with a handshake and a promise of friendship. Superman gets it wrong in dealing with Poseidon, by not following Aquaman's instructions, and is shaken by the discussion of Gods actually existing. There's a nice moment where Aquaman teases Superman by claiming that the ocean is angry with him, before splashing him with water, deflating Superman's dismissive attitude towards the Poseidon encounter. The ones I least enjoyed were the Batman retelling, and the first team-up with the JLA, both of which recap previously-told stories without bringing anything new to the table.

What does work, and resonates strongly with this period in Superman's life, is the ongoing thread of Superman's lack of knowledge of where he comes from. This element was downplayed until the last issue of Man of Steel, so to make it into more of a driving force for Superman during his early years helps to retroactively set up the resolution to the mini-series. Each of the heroes serves to pique Superman's interest, and each lets him down in their own way, wether by being a self-made hero, gaining powers by accident, or a gift from an alien, or simply by being an alien but stranded on Earth through very different means. Between this and the constant game of one-upmanship with Lois Lane (brilliantly interrupted by Iris West in the Flash story), this story is firmly placed in the early months of Superman's career. This story wouldn't work as well if it had occured post Man of Steel, or even more than a few months after Superman's first appearance, once his presence is accepted as the norm as opposed to something unusual and unique.

John Paul Leon's artwork is not a great fit here for Superman. One of the key elements of his art that I loved in Earth X was his use of shadow to complement what at times was some pretty minimalistic art. In a series that uncovered the secret history of the Marvel universe (only to be retconned as an alternate universe), the high darkness content in the art was well suited. Here, in a story that introduces the some of the key Silver Age heroes to the modern Superman, his use of shadow feels almost inappropriate. The first appearnace of Hal Jordan's ring contructs should be as alien and unusual as anything seen by Superman, but are rendered here as disappointingly pedestrian. Having said that, I do like his Lois Lane - he captures a keen intelligence and focus in her eyes.

The Geeky Bits: This is the second first meeting for Superman and the Martian Manhunter, following Martian Manhunter #20. Funny how J'onn doesn't feel compelled to mention that he has known Superman for most of his life... although in keeping with an issue not written for another five years he does keep Superman's origin to himself.

Magpie seems to have lost her henchmen who look suspiciously like Mike Carlin and Mark Gruenwald. She also uses her 'Happy Birthday' stick of dynamite in place of the corrosive gas  to cause a distraction, and has her secondary base in the same museum as her first.

As has been pointed out several times so far, the Batman segment is a retelling of Man of Steel #3. The Justice League segment is a retelling of The Brave And The Bold #29, although in keeping the with post-Crisis Justice league history, Wonder Woman has been replaced with Black Canary.

Next on World of Superman: Superman and Batman's rivalry has fatal consequences.

Tuesday, 23 March 2010

The World of Metropolis #1

A Reporter's Story


Writer: John Byrne
Penciller: Win Mortimer
Inkers: Frank McLaughlin & Dick Giordano
Letterer: Todd Klein
Colorist: Tom Ziuko
Assistant Editor: Renee Witterstaeter
Editor: Michael Carlin
Cover: John Byrne
Cover Date: August 1988
Release Date: 12/04/1988

Pictures of Superman defeating an green-skinned monster adorn the front page of the Daily Planet. Perry White congratulates Lois and Jimmy on their winning story, whilst Lois teases Clark on losing out on the Superman scoop. Dismissing the trio, Perry's attention is caught by a headline announcing the latest expansion of LexCorp, which triggers some memories...


Returning from a tour of duty in Korea, a young Perry White is disappointed that no-one greets him at the airport, and takes a taxi for one to his home. His departure is monitored by Bertram, one of Lex Luthor's goons, who reports to his boss. Overhearing the conversation, the future Alice White realises that she has been manipulated into missing Perry's homecoming. Angrily confronting Luthor, she storms out, fed up with his games involving her heart. Luthor gives secret instructions to another female employee, then laughs maniacally.


In his apartment, Perry gazes at the Metropolis skyline, focusing on the Daily Planet globe. Angry at Luthor's lack of reception for his 'number-one man', Perry is about to make a call when Alice arrives. The two embrace and spend time together. That night over, dinner, Alice tells Perry that Lex is planning to dump the Daily Planet, shutting it down for good. Angry, Perry confronts Luthor, who confirms his plans and offers White a job as the lead anchor for his brand new TV station, WLEX. Perry refuses and is ready to storm out. Lex chooses that moment to have an employee return Alice's earring that has been left in his room, revealing to Perry that the two have been having an affair.


The next day, a group of schoolchildren including a very young Lois Lane are being shown around the Planet when they overhear Perry confront the Planet's editor-in-chief over Luthor's plans. Perry refuses to let the paper die, and attempts to raise the capital needed to buy the paper outright. Most of his contacts are afraid to go head-to-head with Lex Luthor, but an Asian businessman named Ling agrees to consider the offer, if White agrees to become the Planet's editor.


At home, Alice comes clean with Perry over the affair, revealing that Luthor had led her to believe for some time that Perry was dead. Alice confirms her love for Perry, saying that for all his money, power and influence, there are things that Luthor cannot buy, including Perry and Alice. The two reconcile. The next day, Ling comes through, and the Planet's front page carries the news of its reprieve. Inside, a further headline announces the marriage of Perry and Alice, which causes Lex to laugh maniacally. Later at the Planet, Alice announces her pregnancy to Perry. As Perry and the staff celebrate, Alice gazes sorrowfully at the LexCorp Towers.


In the present day, the Lane's eat out for dinner with their son, Jerry.

Wow. This is a comic that shows its age. Perry hasn't had a private life since 2003, the last time his wife Alice appeared. His adopted son Keith hasn't appeared or been mentioned in years, and I really can't recall the last time his deceased son Jerry was ever mentioned. Much like the World of Smallville series that preceded this, the events of this issue are very tied up in the continuity of the day. In this case, we see the circumstances that led to Perry becoming Editor of tha Daily Planet and, more importantly, how Luthor came to father Alice's child and why Alice concealed this from her husband.

I like this story. We don't get to see Perry passionately fighting for a cause very much in the comics, and this is one of those times where you really see some fire in what he does (at least, beyond gently abusing Jimmy). His love the Daily Planet as an institution is clear, and is something we're only just starting to see again in the pages of Superman: Secret Origin.

The Lex Luthor seen in this story is a strange one. On the one hand, he fits in nicely with the characterisation of the early Man of Steel issues. His casual manipulation of Alice White, keeping her in the dark as to Perry's survival, is a wonderfully dark example of the power he holds over Metropolis. At the same time, his penchant for bursting into fits of manic laughter whenever doing something evil feels very out of character and far too cliched for this version of Luthor.

The revelations in this story may no longer fit in with current continuity, but the focus on Perry is something not seen in the books for some time, and re-reading this issue is a welcome return to the days when the Daily Planet was more than just a place where Superman went to work when he wasn't saving the world.

Next on World of Superman: Teen Lois in Raiders of LexCorp!