JLA Classified #49

I really dislike leaving a full week between posts, but unfortunately, every now and again, work rears its ugly head and monopolizes my life to the point where I barely have the energy to to anything other than eat between walking through the door and going to bed. I did, however, find the time to squeeze in the season premiere of Smallville last night, and despite missing out on the best part of five years' worth of plot, I was not surprised to see that a lot of what drove me away from the series is still there.

We had moments of insanely bad acting (especially the scene where Clark returns to the Watchtower, and Tom Welling cannot find a sensible way to deliver the line 'But I'm here now. what about the others, did they make it?'), comedy that wasn't funny or made any sense (I had no understanding of the 'dropping the pen' scene), and, of course, at least one moment where the ambition of the show went far beyond its ability to deliver. The moment where The Blur (euch) raises the Daily Planet globe appears to have been witnessed by about 12 people, which isn't bad for a major metropolitan city.

I was watching for the money-shot. I had heard that Darkseid was to appear in the episode, and as he is one of my favourite villains of all time, I was eager to see how he would be handled in live-action. Well, as it turns out, he was being presented as a non-sequitorial puff of smoke that bore a fleeting resemblance to the villain we know and love. Remember how for about half a second you could see the outline of the true Galactus in Fantastic Four 2: Rise of the Silver Surfer? That's how it felt to me.

It wasn't all bad. The John Schneider scene looked for a moment like it was going to a terrible waste of potential, but turned into something quite beautiful and moving. The shadow of Michael Rosenbaum enhanced the episode rather than making him noticeable by his absence (although the fake clone Lex needed far fewer cliches to go along with the effectiveness of his corrupted Lex visual). And the introduction of the Superman, suit, something I wasn't expecting, was very nicely handled, and I like the way that the final shot set the concept of Superman as a prize for Clark at the end of the season, as well as a reward to viewers for ten years of support.

I think I'll do my best to keep up for this series. I'm going to be interested in how Apokolips is handled in live-action, and the return of the Justice Society is going to be more than enough to keep my inner geek satisfied.

**WARNING!**TENUOUS LINK ALERT**THERE WILL BE A TENUOUS LINK IN THE NEXT PARAGRAPH**

Talking of my inner geek, on thing he has not been satisfied with is today's review issue for the World of Superman, JLA Classified #49.

To Live In Hearts We Leave Behind


Writer: Andrew Kreisberg
Pencils: Paulo Siqueira
Inks: Amilton Santos
Colors: Allen Passalaqua
Letters: Jared K Fletcher
Cover: Siqueira with Passalaqua
Associate Editor: Tom Palmer Jr
Editor: Mike Carlin
Cover Date: Late February 2008
Release Date: 26/12/2007

An insectoid alien race called the Locusta has laid claim to Earth's solar system. The JLA convene on Mars to mount a defence against the invaders. As the JLA engage the Locusta, the Earth waits with baited breath. Linda Park presents news coverage, whilst other people close to the various members of the JLA anxiously await news. Eventually, the Locusta are defeated, the League reunites with their loved ones, and the Earth celebrates.


Whilst this occurs, Lois Lane arrives at Wayne Manor for a pre-arranged interview with Bruce Wayne. Finding that Bruce as been unexpectedly called away on business, she takes tea with Alfred whilst the two wait for news of the invasion.

Yes, it's a short synopsis. Not a lot actually happens in this issue. The JLA beat up some armored crab-aliens on Mars whilst everyone gets nervous on Earth. Lois and Alfred have a not-very-revealing talk. If you're after dense plotting, then you're better off looking at another comic. What there is in this issue is atmosphere, oodles of it. There's a real sense that the people of Earth are genuinely worried about the impending Locusta invasion. Linda West's broadcasts are suggested to be the kind of broadcast to bring the nation together, whilst Jimmy and Lois exchange terse, personal admittances of fear on their Blackberries. Compounding this is the fact that none of the combat on Mars has any dialogue, narration or sound-effects. Although the reader is privy to the action, they are not a part of the League's actions. We are as much in the dark as to how the battle is progressing as Earth is. I'd like to think that the League's triumph here is what gives the public the strength to support future moves against alien attackers, such as the 'Earth To Invaders: Drop Dead' response in Invasion #1.

Lois and Alfred's conversation is both interesting and unrevealing. There's a nice underlying element of dramatic irony in that the reader knows that both parties are concerned for heroes on Mars, but that neither is aware of the other's connections. Unfortunately, this is as far as it goes, and what we get on the page is several pages of small talk that doesn't really make for an interesting read.

I would normally be finishing my review here, summing up the issue as a fairly inoffensive but inconsequential fill-in issue of a title heading towards its cancellation 6 issues later. But unfortunately, I have to address one piffling little concern, namely the fact that the continuityJLA seen fighting on Mars is clearly, thanks to the presence of John Stewart and the predilection of JLA: Classified to use this version of the team, the post-Obsidian Age incarnation of the Big 7 League. The second is the relationship of Wally West and Linda Park, who first appeared in 1989. The third is the awkwardness between Lois and Superman, and the fact that Lois is not romantically involved with Clark, and doesn't know his secret identity. The three elements cannot co-exist. Most notably, John Stewart is only a true member of the JLA following the Obsidian Age, many years after the League's founding, and long after Lois and Clark/Superman are an item and open about Clark's identity.

Putting this issue in this position in the blog is a difficult choice, and doing so requires a pinch of salt. From the Lois point of view, her relationship is entirely with Superman. There is no mention of Clark at all in the issue, and the conclusion is her hugging Superman. Therefore, it can be assumed that Clark is only 'the guy that scooped her' at this point in time. This issue cannot be concurrent with the post-Man of Steel issues, as that version of the League was the infamous International version. Therefore, this League is more than likely a one-off permutation of the Satellite era that just so happens to resemble the later version. Of course, you have to ignore the fact that John Stewart is an icon on Earth when he is far more likely a very green, rookie Lantern, and the fact that Wally West isn't even the Flash yet, nor has he met Linda Park. But in the context of Superman, these elements can be brushed over. Well, I have.

Have you read this issue? What are your theories concerning the placing of this issue? Do you even care? Please let me know in the comments below.

The Geeky Bits: The title is a quote from Hallowed Ground by Thomas Campbell.

Andrew Kreisberg is a writer whose main claim to fame outside of comics was an episode of The Simpsons called Barting Over. His most noteable run on comics was replacing Judd Winick on Green Arrow/Black Canary, which he wrote for 15 issues, and a series called Hellen Killer, which saw Helen Keller become bodyguard to the President of the USA.

Paulo Siqueira is an artist whose work includes runs on Birds of Prey, Anti-Venom: New Ways To Live, and the 2007 Black Canary mini-series.

Next on World of Superman: We get back to the core series of this era, as we examine Man of Steel #5. Hopefully just in time for the first birthday of this blog.

JLA: Generations #2

OK, so it's been a bit longer than expected to get this post up. Apologies to omike from the Superman Comicboards who got a promise that a post would be up on Sunday and then one didn't appear. It's not been the greatest week in the world for me, as I've been dealing with having a very ill girlfriend a very long way away from me. Blogging hasn't been something I've been up to doing the past few nights, but I'm back, the blog is back, and we've got us some pseudo-Silver-Age JLA to take a look at.

Belonging


Writer: John Ostrander
Penciller: Val Semeiks
Inker: Prentis Rollins
Colorist: Jon Kalisz
Separations: Heroic Age
Letterer: Ken Lopez
Assistant Editor: Steve Wacker
Editor: Dan Raspler
Cover Artists: Val Semeiks, Prentis Rollins, John Kalisz
Cover Date: August 2001

Fire-Eye, a power-vision-wielding dinosaur from a different time, is attacking Gotham City harbour. The JLA move in to attack, unknowingly observed by Batman. Their assault initially seems to work, impressing Batman with their tactics and teamwork, but Fire-Eye is able to shrug off their attacks and continue his attack. Batman approaches Green Arrow and Black Canary, giving them an alternative battle plan. Despite Green Arrow's resistance, the JLA use Batman's plan, forcing Fire-Eye back to the portal that he appeared from, whilst Batman himself works to protect the bystanders from collateral damage. Fire-Eye refuses to enter the portal, but the sudden arrival of Superman tips the battle in favour the JLA, and a quick blast of heat vision through the portal destroys the apparatus maintaining it. In the aftermath, Superman is pressed by a reporter to join the JLA, a request that Superman finally agrees to. Superman and other members of the League take off, whilst Green Lantern, Flash, Green Arrow and Black Canary help to clear up after the battle. Flash takes umbrage at the brusque nature of Batman's intervention, whilst Arrow and Canary grow closer and reveal their identities to each other.


The next morning, Bruce Waynes is quizzed by Alfred as to why he hasn't joined the JLA despite several requests to. He points out that the League could offer him something he has very little of - friends. Batman then heads out on patrol, meeting Commisioner Gordon at a zoo, where the apes have been broken out of their cages and several security guards have been killed. Batman recognises a photo of the perptrator as Gorilla Grodd, and on his return to the batcave realises that every zoo on the east coast has been hit.


Barry Allen stops by for lunch with Hal Jordan, complaining about Superman's lack of trust in his team-mates, as evidenced by his holding back in a recent Superman/Flash race for charity. Clark Kent meanwhile attends the funeral of a schoolfriend, who had been killed whilst working as a policeman. Affected by his friend's death, he vows to never let a similar event happen again.


A few nights later, Batman spies on a gather of Grodd's forces, and manages to attach a tracer to one of the gorillas. The next day, Grodd attacks Washington DC, rounding up the government and caging them in zoos, and proclaiming that America belongs to him. The Atom infiltrates the Pentagon, but finds the gorillas there incapacitated by Batman. On Batman's instructions, Atom shrinks down into the cybernetic enhancements used by the gorillas, and discovers that they help Grodd maintain control. Batman liases with the JLA, deterring them from a direct assault and setting them up to neutralise the gorilla army. However, the plans go awry when Superman arrives, ignores J'onn's telepathic warning, and directly attacks Grodd.


Grodd telepathically makes Superman imagine that he has kryptonite, forcing Martian Manhunter and Aquaman to step in. Grodd makes Aquaman think that he is dehydrating, and attempts to disable J'onn by forcing him to believe that he is surrounded by fire. As the two telepaths face off, Atom finally discovers how to disable the cybernetics, and does so, causing the gorillas to revert to a pacifist state and the resulting feedback to break Grodd's telepathic concentration. The JLA makes quick work of Grodd.


In the aftermath, Superman is berated by Batman for not trusting the JLA and for charging in to directly confront Grodd, putting the League at risk. Batman explains that whilst he is short and abrupt, he has total respect for the capabilities of the League. Superman reflects on what has happened, and decides to step down from being a full member, reverting to his honorary membership. Before doing so, he initiates a vote to accept Batman into the JLA, a vote that passes, and Batman agrees to membership.


Back in Wayne Manor, Bruce smiles as he realises that he belongs in a group.

One of the interesting things about doing this blog is the way I can just dip into a limited series for an issue or two then come away from it having only experienced one chapter of an overall story. Sure, there are times when it's going to be frustrating to try and follow the story of the series, but when the series is structured like this, then we get a lovely done-in-one that can stand apart from the other 6 issues of this series. JLA: Incarnations was a 2001 JLA spin-off where each issue looked at a different era of the JLA, from their formation all the way to the (then-current) Morrison-style Big Seven era, stopping off in the Satellite era and the JLI along the way. It was a fairly well received series at the time, although not well enough to receive a trade paperback.

I like this issue, despite it's diminished focus on the JLA. It's basically the JLA meets Superman and Batman, whilst also doing something quite common from this era in Superman's life, a compare-comparison between the two heroes that for once presents Superman in a less-positive light, making a virtue out of the things that are normally negative points for Batman. The structure is quite clear. The JLA have a fight, Batman and Superman turn up, the JLA loves Superman but is not happy with Batman. Then there's a bit of downtime, before the JLA have to fight again. Batman and Superman turn up, but this time Batman gets their respect whilst Superman realises that he's not as much of a team-player as he thought. Superman actually gets a little bit of a short shrift here. His first intrusion into the story is well reasoned, using his abilities and intelligence to realise the missing piece of the puzzle that allow him to assist the JLA in defeating Fire-Eye. His second is basically the same, charging at Grodd, but this time not using his abilities and intelligence to work out what is going on, resulting in a disruption to Batman's plans and placing two fellow Leaguers in danger. There is a moment that attempts to explain this change, the scene at Clark's friend's funeral, but it requires a leap in reasoning to apply Clark's thoughts from the funeral to Superman's unusual single-mindedness on the steps of the Lincoln Memorial.

Batman is a far more rounded and human character than we've seen so far in this blog. We've yet to see him come out of his shell in World's Finest, and The Man of Steel  is very much about presenting Batman as a reluctant ally to Superman. Here, the animosity that characterises their early interactions is still present, but wether softened by his years in the cowl, or just a shift in focus in the writing, Batman is now taking time to stand up for himself and his methods with his peers, which allows them to see beyond the brusqueness and superiority. Even Superman sees this, nominating Batman for membership, something he wouldn't have done after their first meeting.

I know I didn't enjoy Val Semeiks' art in ULTRA Humanite, but here it comes across a lot stronger. Watching his rendition of the JLA in action against Fire-Eye is a real joy. I like the little details, such as the 5 o'clock shadow on Green Arrow's face when he is confronted by angry Gotham residents hours after the fight. Olly looks genuinely exhausted in this scene, his face is longer and more drawn than usual, and this shines through even when he's flirting with Black Canary. Semeiks' Grodd is also well portrayed. Of late, Grodd has tended to be a behind the scenes opponent, using his telepathic powers over his physical prowess (I think the last time I read Grodd as a physical opponent was JLA Classified #1-3), but here he is physically impressive, and on every panel is portrayed as the kind of villain who could easily go toe-to-toe with Superman.

The Geeky Bits: John Ostrander is one of the most respected writers in modern comics history. He is best known for his five-year run on Suicide Squad, which has been thematically revived in the last few years, with contributions from Ostrander, in the Gail Simone-written Secret Six. Although Ostrander has never worked on the core Superman titles, he wrote the subsidiary series The Kents, some issues of which I looked at here.

This is, as far as I can tell, Fire-Eye's only DCU appearance. A few searches have a character called Fire-Eye in Elfquest #1-2 from the 1996 run, which would work with the idea that Fire-Eye is not from our time or reality. A fire-eye is a species of small bird noted for having red rings around the eyes.

This is one of the first times that Green Arrow reveals his identity to Black Canary. I honestly don't know when this first happened in comics, so if anyone knows this, please throw it out in the comments!

As far as post-Crisis continuity is concerned, this is the only time that Superman is an official member of the JLA until the Big Seven era. This hasn't stopped him from being a reserve member, and helping out the team on multiple occasions. This status would get changed in the aftermath of Infinite Crisis, where Superman would revert to being a founder member of the League.

Next on World of Superman: Batman's got a new companion, and it's time for him to meet the Man of Steel. It's Legends of the DCU #6!

JLA Year One #12

Justice For All


Storytellers: Mark Waid, Brian Augustyn, Barry Kitson
Inker: Michael Bair
Letterer: Ken Lopez
Colorist: Pat Garrahy
Separations: Heroic Age
Editor: Peter Tomasi
Cover Art: Barry Kitson
Cover Date: December 1998

Chaos reigns in the Daily Planet newsroom as the staff try to keep up with the reports of the Apellaxian invasion. Suddenly, the wall turns to glass, and Alan Scott gathers the staff up in a green bubble. With the civilians clear, the fightback starts, as Hal Jordan and Human Bomb destroy two Apellaxians. In Washington, Black Canary and Starman help the Blackhawks to plant a symbolic American flag. In the oceans, things are not looking good for Aquaman and the Sea Devils, until Animal Man arrives to help with his animal powers. With the assistance of the Challengers of the Unknown and Cave Carson, several Apellaxians are defeated. In the skies, Hawkman, Hawkgirl, Black Condor, Shining Knight and Martain Manhunter hold their ground, although Condor's recollection of how he was captured in his private life visibly disturbs J'onn.


At Stonehenge, Kalar rallies his soldiers before flying away. As his lieutenants discuss their plans, Vandal Savage appears and destroys them with the machine from last issue. Impressed with its power, Savage realises that he has the means to destroy both the Apellaxians and the Justice League.


In St. Louis, Flash, Superman and Atom destroy several diamond-based Apellaxians, although the strain of forcing diamond apart from between the molecules renders Atom uncoscious. In Paris, the Global Guardians fight on, but their leader, Dr Mist, realises that they need more powerful help - the Spectre. The Spectre has formed a truce with Wotan to fight the invaders, but Wotan takes the first opportunity to attempt to destroy the Spectre, but is imprisoned for his treachery.


The Flash returns to Central City, where Black Canary attempts to explain the kiss to him. Flash is not interested, as he hears Iris Allen searching for her husband. Changing back to Barry, the couple reunite. Returning to Canary, she explains that she won't turn out like her mother, she won't turn anyone into a cheater. As Flash races away, Canary is menaced by an Apellaxian, but is saved by Green Arrow and Speedy. As they fight on, Green Arrow attempts to get a date out of Canary. The fight conitinues at the Great Wall of China, where the Doom Patrol attempt to hold the line.

In the cave headquarters of the Justice League, Snapper Carr watches reports of the fights, realising that despite their victories, the sheer force of numbers of Apellaxians mean that the League will eventually lose. Simon enters, woozy and unsure, and informs Snapper of Vandal Savage's ownership of the machine. Snapper calls out for Martian Manhunter, asking for a meeting of the League. A short time later, Carr tells them all of what has happened, but before they can act, Savage appears, ready to attack. The League quickly subdue him, but immediately realise that they have only captured Clayface, posing as Savage. Through Clayface, Savage presents the League with a conundrum - they can use the machine to defeat the entire Apellaxian force in one move, broadcasting a lethal telepathic signal, but they would have to discard their morals in order to save the Earth.

As the barriers holding the defeated Apellaxians at bay weaken and require more and more support to maintain, Martian Manhunter activates the machine, using his own telepathic powers to weaken the broadcast so it merely incapacitates the aliens. Seeing J'onn's torment, Aquaman lends his support, followed by the rest of the League. With the Apellaxians incapacitated, Dr Fate opens a portal to another part of space, and the invading force is repelled. As Kalar attempts to resist, Snapper gets revenge for his uncle by whacking him with a sturdy piece of wood.


In the aftermath, the League forgives J'onn for the files he kept. Hawkman pledges the support of the Justice Society to the League if ever needed, and Superman leaves with a promise to aid whenever he can. Clark Kent writes up the story, introducing the Justice League to the world. Later on, the League votes on wether to admit Green Arrow to their ranks, whilst wondering who their mystery financier is. In an office block, Oliver Queen is revealed to be bankrolling the League. He reaches for his costume and bow.

Wow, what a rushed synopsis. I certainly learned the difference today between a comic about Superman and a comic which happens to have Superman in its pages. In the past two issues, Waid uses Superman as one of many heroes who are first captured by and later fight back against the invading Apellaxian forces. Superman's iconic nature is only really exploited in the first page of issue 11, where we are confronted with a battered and bruised Man of Steel. Otherwise, there is no real distinction between Superman and any of the many other heroes featured within. If you remove Superman from this book, then the story still holds up.

Looking at this from a non-Superman-obsessed point of view, we can see that this is a massive, sprawling fight. There are so many moments featuring guest-characters mixing it up with the League to fight the Apellaxians, almost too many, that the general thrust of the plot kind of gets lost underneath it all. Certainly the Martian Manhunter keeping files on everyone plot point does not end strongly here. There's a nice moment where Black Condor's recollection of his kidnap sparks a feeling of guilt, but the payoff is a bit muted, as he strains his mind a bit, gets some help, and is instantly forgiven. Waid would return to the suggestion that a distrustful Leaguer keeping files on his team-mates would eventually backfire two years later in Tower of Babel, and the idea would again be revisited in the runup to Infinite Crisis, especially in the OMAC Project miniseries.

I wish I had the time to grab and read the TPB of this maxiseries, as I'm sure I'm missing more than I'm gaining from these last two issues. But here is a promise to all the readers (both of them!) - unless it's an important issue or cornerstone to the main plotlines, if Superman is just guest-starring in a book without taking a major role, I'll be recapping and reviewing a lot more briefly to allow us to focus on the good stuff. My heart's just not been in this one, no matter how many times I've listened to 99 Red Balloons in both English and German.

And talking of the good stuff... we must be about due for a trip on a yacht courtesy of Lex Luthor, surely?

Next on World of Superman: Suicide at Christmas - we have jumping from the roof of the Daily Planet, and blowing yourself to smithereens. It must be the 1997 DCU Holiday Bash! Meh, guess we'll have to cancel those yachting tickets...

JLA Year One #11

Stalag Earth


Storytellers: Mark Waid, Brian Augustyn, Barry Kitson
Inker: Michael Bair
Letterer: Ken Lopez
Colorist: Pat Garrahy
Separations: Heroic Age
Editor: Peter Tomasi
Cover Artist: Barry Kitson
Cover Date: November 1998

In a series of attacks, the Apellaxians start their invasion of Earth by neutralising numerous super-heroes. Superman is severely beaten, the Atom is captured whilst exiting a phone line, Blue Beetle is ambushed in a tomb. The Metal Mens' responsometers are disabled, whilst Batman is captured in the Batcave. Hawkman, Johnny Quick and Doctor Midnight are all ambushed. All the defeated heroes are brought to the disused Blackhawk Island.

In Metropolis, the newly-formed JLA attempt to hold their ground against the invaders. Aquaman quizzes Snapper Carr about his Uncle Simon's involvement in the invasion, but quickly discovers that although the JLA defeated 7 Apellaians when they first formed, they are now up against a force of 7000. Green Lantern realises that the battle has been raging for so long that his ring is about to run out of power. Martian Manhunter telepathically directs the Flash to Coast City to retrieve the power battery, and Lantern is able to recharge. Despite this minor victory, the JLA realises that Metropolis is lost, and moves on to help out the next city.


In Gotham City, the entity inhabiting Simon Carr's body moves on to a more powerful, electrical form. Carr is left alone and confused, clutching a device that can destroy the Apallaxian consciousness. He is accosted by Vandal Savage, formerly an Apallazian ally and now their target.


In Midway City, the JLA fight their ground again. The heat of the battle causes Black Canary to kiss the Flash. Realising that they need help, Flash has a brainwave - the JLA need to access Martian Manhunter's files on other superheroes to summon help. However, when they reach Jonn's hideout, they find that his files are gone. Aquaman receives a message from the fish, who inform him of the heroes trapped on Blackhawk Island. As the heroes realise that they have been outmaneuvred, a group of Apellaxians prepare to ambush them. They attack, and quickly subdue the JLA.


On Blackhawk Island, the trapped heroes are dismayed to see the JLA arrive in chains. Suddenly, the JLA break free and attack their captors - they were only pretending to be defeated to be brought to the heroes. Mounting an assault on the armory, the heroes re-arm themselves. Led by the JLA, they prepare to take back their planet.

In the first of what will be a fairly regular occurence for this blog, we jump in head-first into a limited series already in progress, with little knowledge of the events that have led us to this point. I read JLA: Year One for the first and only time in late 2002, when I found a pretty battered copy of the trade paperback in the library adjacent to my student accomodation. I remember several pages being loose, and being pretty convinced that I was missing a couple. I enjoyed the book, but knew at the time that I had too little an understanding of the DCU, and that a lot of the series was going over my head. One day, I vowed, I would return and conquer the knowledge held within.

And I never did, until now.

So, what do I know about this series? Well, I remember some stuff with the Doom Patrol, that isn't really relevant to this issue. There was some stuff involving Green Arrow and him not being on the team, which iosn't really relevant to this issue. They fought some aliens, which is relevant, but is handily recapped by Aquaman. In fact, the only major plot point for this issue that doesn't come with a handy jumping-on-board point is the duplicity of Simon Carr, and the nature of the being that has inhabited him. Is he/it an Apellaxian, or something more?

There's some really fun moments here. I love the teamwork shown in the defence of Metropolis, where Martian Manhunter and Flash team up to save Green Lantern's backside. The Black Canary snogging the Flash moment is good, but is taken to a whole new level when he completely ignores her and has a brainwave that could save the Earth from invasion. And I just love the complete Silver Age moment where the JLA pretend to be unconscious to be taken to the captive heroes before turning the tables. It's a moment that if handled poorly can look cheesy and silly, but here works as a great moment of assertion for the League in front of their peers. It's no wonder that veterans of the JSA, the Doom Patrol, and the newer, more powerful heroes like Superman are ready to follow the Flash's lead at the end of the issue.

Unfortunately, from a Superman point of view there's not much to say - he gets beaten up at the start of the issue, and is ready to fight back at the end. This version of him meeting the JLA differs from the Man of Steel Annual in that this version of the JLA is less dependant on him to save the day, most likely as Superman here is a guest star in their book, rather than the League being a star in his book.

Oh, and I just love this cover. Seeing Batman, Superman, and the heavy hitters of the JSA all so helpless is very striking. And I love the defeatist pose of the first Green Lantern.

Next on World of Superman: The JLA vs the Apellaxians for the freedom of the Earth!